Are You Alienated, Jealous, Adaptable, Loveable
. . . Haunted?
I am rewriting my Are You stories, as they were among my earliest pieces, and featured writing tics (too much stage business, too much adoration of P.G. Wodehouse), that I’ve abandoned, or at least toned down, with experience.
Are You Alienated
A sojourn in St. Petersburg creates an odd resonance for Minta Castelberry, touring this most European of Russian cities with her mother-in-law. Here the women find themselves accosted by the insinuating stranger, John Emmett. Emmett insists on telling his story, and Minta soon finds his arrogance hides a melancholy soul . . . finds herself invested in his quest. Then she finds this crossing of paths is no coincidence.
Are You Jealous
Gabriel Pinion loves Eva.
They have not been married long, and busily self-employed, Gabriel has made a habit of dismissing their awkward communication, totting up his wife’s mannerisms and counting this personality. When Eva inherits her grandmother’s clock, and in the valuing of it, discovers McFadden Presby, the Baroque mechanism rings changes that leave Gabriel aware only that one can’t stop a thing set in motion.
Are You Adaptable
Beloye has made her adjustments. Quarters with Dan, who likes life just fine, (or more accurately, has come to terms with his level of resentment towards it), are a little close. Her almost-sister-in-law Nola, having reached a state of truce with Dan’s brother Arnold, brings Stenner onto the scene. Technically, and for more than one good reason, Beloye should not get involved with Stenner. But she begins to think freedom, the yearning for it, is not subject to being reasoned away.
Are You Loveable
A story within a story. 1928, the year of the Republican convention that nominated Herbert Hoover for the presidency. Reporter T. O. Mulhall’s train is stalled on the way to St. Louis. He crosses paths, In a small Illinois town, with Alfred Oliver—and Oliver’s protégé, aspiring actress Paulette St. Genevieve. Stuck sharing one of the Bay Tree House’s poorly vented rooms, the trio make small talk, leading to Oliver’s account of the infamous (or as infamous as his own exclusive coverage could make it) Bradshaw case.
Daisy wants to lose George, gain a fortune, and move to Florida. She exerts her influence on the Bradshaws’ live-in handyman, Oland Coleman. Oland’s grip on reality is a little weak . . . but perhaps not so different from the iron-clad expectations of his small-town milieu.
from Are You Alienated.